Tag Archives: Covent Garden

Back in Blighty Part 1

It’s always an adventure of sorts returning from Australia to family and friends in the UK! Due to the long, snaking passport queue and luggage delays, it took three hours to get from the plane to my sister’s front door in London. I had hoped to fly straight into my brother-in-law’s 70th birthday party and had rested as much as possible on the plane so I’d be in sparkling form on arrival. As it turned out the only sparkle was on the glasses I helped wash up; I arrived just as the last guests were leaving! Never mind, I was still part of it and happy to muck in and help clear up. And the wonderful consolation prize was meeting – and cuddling – my newest grandchild aka great-nephew, Douglas Finlay, aged just over two weeks.  I was- and remain – totally smitten!

A couple of days later my nearly 92-year-old mother met me at her local train station in Nottinghamshire. She’s still doing short local drives – just…We had an eventful first week together what with her malfunctioning hearing aids, a pesky bladder infection popping up (every time I come over, I seem to troop to the surgery with a urine sample!), and an outbreak of mice.  Mice are canny and opportunistic little blighters; we first detected them feasting on bird food in the garage, then suddenly they seemed to be everywhere, reminding me of that song about a mouse living in a windmill in Old Amsterdam. Like their Dutch forbears these mice must have been wearing clogs – judging from the scrabbling in the roof space – and the clip-clippety-clop on the stairs.  Not only did we spot one dashing under the grandfather clock in the hall, another one had clearly been upstairs to the spare bedroom and into my suitcase where it had snacked on a (wrapped and sealed) muesli bar. All a bit too close for comfort!

Among the highlights at Mum’s were having my Yorkshire-based brother and sister-in-law overnight and preparing lunch for them and my Australian nephew and his wife. While that entailed a fair bit of shopping and catering for Mum to plan (flap and worry about!), it all went brilliantly and no rodents were in evidence. I also enjoyed watching the Wimbledon Men’s Singles Final with Mum – in real time. AND I got her to sit still for more than 20 minutes – we were both gripped by the long and hard-fought match with the 20-year-old Spaniard Alcaraz beating four-time defending champion Dubrovnik (Mum does a very good line in Spoonerisms).

Back in London the big treat was a trip to Covent Garden with my sister and brother-in-law to see one of my favourite operas, The Marriage of Figaro. I first got into opera as a 17-year-old in Vienna where I was an au pair girl to a stuffy family with minor aristocratic leanings. Back then, I would purchase a standing place at the back for a few Austrian Schillings. My ticket to Figaro was a very generous early ‘milestone’ birthday present from my sister. There’s something hallowed about the Royal Opera House with all that plush red velvet, gold and gilt edging. The music is sublime, the sets beautifully crafted and the staff attentive and gracious. And, always a rebel despite outward appearances, I love that we smuggled in our Sainsbury’s sandwiches and surreptitiously ate them at the bar with our pre-ordered dinks during the interval. While we all know and love Il Nozze di Figaro, numb bum did start to set in during Act Four. You can’t help wondering if there’s one too many layers of subterfuge, hiding in the bushes and letters falling into the wrong hands!

A few days later I went with other friends to an open-air opera at Holland Park in Kensington. Itch is a modern opera about science, adapted from a book about chemistry written by DJ Simon Mayo for his son –  and we attended was the world premiere. Against the backdrop of a brilliant set comprising 118 cubes – as in the periodic table – the plot involves the discovery of a new undiscovered element, a radioactive rock that has the power to solve the global energy crisis but also destroy humanity. Referencing climate change and the Gaia Theory and greedy corporations, it becomes a battle between the chemistry-obsessed schoolboy, Itchingham Lofte, and a bunch of corporate baddies.  I really enjoyed it and the soaring arias – accompanied by the City of London Sinfonia –wouldn’t have been out of place in a classical opera. The only drawback was the lashing rain – while the Holland Park Opera auditorium is under a canopy, the sides are open and it was none too warm! As I write this, it’s now August – but the UK has had the wettest July for years. Just my luck.

After the opera, I stayed with my friends at the Army and Navy Club in Pall Mall. It wasn’t as formal as I had imagined, and it was a treat staying in central London. My room reminded me of a cabin on a cruise ship and had everything I needed. The club has a rich history; the founder and First President was wounded in the Battle of Waterloo and – and here I’m missing the detail – there is some connection with the Entente Cordiale signed between Britain and France in 1904. The walls are lined with prints and pictures from wars, battles and country pursuits from the 1800s onwards – ranging from WWI cartoons and fox hunting scenes to portraits of members of the Royal Family across the ages including one of the young Queen Victoria. And then, as you might imagine, there are various trophies of the stuffed variety – from a greater kudu head to an emperor penguin from Scott’s Antarctic Expedition.

I book-ended this second London visit with an after party for my brother-in-law’s 70th to make up for missing the first one. It was just about warm enough to sit outside and I loved catching up with friends over drinks and nibbles. The following morning, I was off to Devon to sample rural village life. More next time.

Feeding my inner European

When I got back from Europe in September last year, I went through my usual grieving process: one minute I was walking round Goethe’s house and sipping tea in a chandelier-bedecked café in Frankfurt and, seemingly the next, I was in a yellow cab in Melbourne on my way home, Dave Hughes’ unmistakeably strident tones issuing forth from the radio, the front page of the Herald Sun screaming all things footy and, outside, Beach Road fringed with palm trees.

It’s always a bit of a wrench going from one world to the other, from my former, still parallel life in England were I ever to reclaim it, to my ‘new’ life here. A bit like those early settlers I read about in the Tasmanian Museum and Art Gallery, I have held onto bits and pieces from my original home and country as part of the re-settling process here. But at what stage does the new life cease to be new?

I think, in my case, it’s probably already happened. And any newness is simply a figure of speech and a way of distinguishing my life before and after my move to Australia. I’ve now lived in my Bayside suburb for twelve years – the longest I have ever lived in one place – and it does feel like home. Apart from putting my own stamp on my house and garden, getting a dog really helped me to put down roots. I’ve got to know many people and their pooches on our daily walks on the beach or in the park, and that has created a sense of community and belonging. Bertie and I are part of the local landscape and we blend in. And we’re getting used to summer being in winter and winter being in summer.

Last time I got back to Australia and was still battling the pull-push of Europe versus the Antipodes, a friend suggested I found ways to honour my inner Brit and European. Because it doesn’t have to be an either-or situation. I have, after all, chosen to live in the most European of Australia’s cities. Since then, whether consciously or subconsciously, I’ve been finding ways to stay tuned – literally – to Europe and, as a modern language graduate, to rediscover my languages. I started by joining a German Meetup Group. So far I’ve been to a fascinating film about Techno Music in Berlin in the 80s and to a Stammtisch (an informal gathering at a bar) at the Bavarian-styled Hophaus on the Southbank. And I’ve found German cuisine in the most unlikely places. Das Kaffeehaus in Castlemaine is a Viennese café complete with red leather banquettes, gilt-framed mirrors and chandeliers housed in a former carpet factory. I spent five months in Vienna as an au-pair girl when I was 18, and I can vouch for the authenticity of the food – think Wiener sausages, schnitzel, goulash and sweet favourites such as Linzer Torte and apple strudel.

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Then there’s SBS Radio and Television, a hotline to all things multicultural and multilingual. I have downloaded the Radio App and sometimes listen to Spanish news or I download the German Radio podcasts which deliver newsy and interesting items in easily digested 10-minute bites. Listening to the spoken language, its rhythms and cadences awakens dormant neural pathways and I start to remember words, phrases and expressions. Like old friends they flood back with a welcome familiarity. Tunein Radio has been another wonderful discovery; the app allows you to listen live to different talk shows and music stations from all over the world.

I love foreign language films and letting myself be transported to wherever it is. This past weekend I saw two excellent Spanish films (a rom-com set in Madrid and a quirky Mexican road movie) as part of the Spanish Film Festival. We have an embarrassment of riches when it comes to foreign language film festivals in Melbourne – French, Spanish, German, Greek, Turkish, Israeli, Russian and Latin American to name but a few, and even, last year, a BBC First British film festival showing golden oldies as well as new releases.

And that’s not all. Palace Cinemas screen productions filmed live in HD from London’s Royal Opera House, La Scala, Opera Roma and the Opéra National de Paris as well as some of the best performances from the British Stage as part of the National Theatre Live program. Whoever first thought of sharing these live-filmed productions globally is a genius.

So far I’ve seen heartthrob Benedict Cumberbatch in Hamlet and Royal Opera House productions of the Marriage of Figaro and La Bohème. The joy of these performances is that you get the equivalent of front row seats for a mere $20 or so and, in the case of the operas, you can read the subtitles and follow the plot with ease. Not only that, each performance is introduced by a well-known actor and he or she goes backstage and interviews the director and actors or singers. My favourite so far has been John Copley’s production of La Bohème. Originally intended to run for a few seasons in 1947, it stayed in the repertoire for forty years, the 2015 filmed performance being the last ever.

The weekend before last a friend treated me to a surprise night out. It turned out to be the BBC Proms – the Last Night no less. Echoing the UK’s Albert Hall tradition, the program on the last night includes sea shanties and jingoistic numbers such as Rule Britannia and Elgar’s Jerusalem. It felt a bit strange sitting in an auditorium in Melbourne waving a dual English/Australian flag and belting out songs about Britain ruling the waves. I reflected that there are certain things you can’t export – it all becomes a bit ersatz. There’s a time and a place to celebrate your heritage and a time and a place to adhere to the old saying: When in Rome, do as the Romans.

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